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.Jim Irsay, owner of the In- of a Fiction.Hamden, Conn.: Archon Books,dianapolis Colts, bought the original scroll manu- 1981.script of On the Road for $2.43 million, a record for Kerouac, Jack.Selected Letters 1940 1956.Edited bya literary manuscript at auction.He put the scroll Ann Charters.New York: Viking, 1995.on a 13-stop, four-year national tour.A book ver- .Windblown World: The Journals of Jack Kerouacsion of the On the Road scroll is scheduled for pub-1947 1954.Edited by Douglas Brinkley.New York:lication in 2007 to celebrate the 50th anniersary ofViking, 2004.the novel s original publication.It is believed thatMillstein, Gilbert. Books of The Times. New Yorkthe various editions of On the Road worldwide sellTimes, 5 September 1957: 27.more than 100,000 copies annually.Swartz, Omar.The View from On the Road: The Rhetori-cal Vision of Jack Kerouac.Carbondale: Southern Il-Bibliography linois University Press, 1999.Charters, Ann.Introduction.On the Road, by Jack Ker-ouac.New York: Penguin Books, 1991.Rob Johnson and Kurt HemmerPous selections were included in These Are My Riv-Pictures of the Gone Worlders: New and Selected Poems (1994).Lawrence Ferlinghetti (1955)The title of the collection is apparently basedThe first book of poems by LAWRENCE FERLING-on two key ideas.First, the poems are meant to beHETTI is Pictures of the Gone World, a plain andpictures.In that sense, the poems are like paint-slender 5'' × 6 ¼'' volume of 27 imagistic poems inings or photographs in the tradition of the imag-open forms.The poems express Ferlinghetti s viewsists, the poems are meant to convey a strong visualof love, art, time, death, great cities, nature, ani-impression.Second, the title refers to the Gonemals, memories, and literature.World, invoking the hip idiom and its sense ofThe book is the first volume produced in the gone, which can connote a positive sort of crazi-Pocket Poets Series of City Lights Books, the pub-ness but can also suggest a desperate emptiness.lication company that was established by Ferling-Among the most familiar poems in Pictureshetti and was dedicated to inexpensive editionsof the Gone World are Away above a Harborful,of artists whose experimental methods or political The World Is a Beautiful Place, and Readingdissidence makes publication through other outletsYeats. Because these poems are included in Aunlikely.Coney Island of the Mind, discussion of these poemsIn June 1952 Ferlinghetti and his friend Peteris found in the entry for A Coney Island of the Mind.Martin, the publisher of City Lights, a literaryAnother poem of special interest in Picturesmagazine, each invested $500 to open City Lightsof the Gone World is 8, also known as Sorolla sBookstore in San Francisco.The store began as aWomen in Their Picture Hats. The poem revealsmeans to provide funds for the continuation of theFerlinghetti s frequently used technique of referringmagazine but with an emphasis on inexpensive,to famous works of visual art to create a spring-avant-garde books and an evening schedule thatboard for his own imaginative flight.Ferlinghettimade the bookstore a cultural center, City LightsBookstore endured and eventually became a land- opens his poem with a reference to the womenwith large hats in Promenade on the Beach (1907),mark in San Francisco.a painting by Joaquin Sorolla.Ferlinghetti says thatIn 1955 Martin sold his interest in the storeto Ferlinghetti, making him sole director; on Au- Spanish Impressionists admired Sorolla s works,particularly the way the light played on them, butgust 10, 1955, Ferlinghetti published Pictures of theFerlinghetti doubts the realism of Sorolla s paint-Gone World.The poems have endured: the originaling, noting illusions / of love. Ferlinghetti s owntext was reprinted numerous times; a selection ofmemory of his own experience seems more realis-the poems were reprinted in A CONEY ISLAND OFtic to him as he describes the lovemaking of theTHE MIND (1958); an enlarged edition of Pictures ofthe Gone World was published in 1995; and numer- last picnickers, who exquisitely delay the culmi-256Pipe Dreams 257nation of their engagement.In recognition of the street carnival leaves her last lover lost / in thefulfillment that the picnickers finally experience, unlonely crowd and leaves the dancer s darling night s trees stand up.baby / about to say Dada. A passing priest may London, which is titled 18 in Pictures of pray / Dada and utter transcendental apolo-the Gone World, pursues the fantastic rather than gies, but Ferlinghetti insists that the day belongsthe realistic.Ferlinghetti admits that the setting to Dada because of not so accidental / analo-for the poem could be anyplace, but it is in fact gies. This poem, with its reference to death, theLondon.Street artists on a Sunday afternoon seek bereaved, and the unaffected surroundings, isa model, but when one woman volunteers and dark in its outlook, but true to life.begins to disrobe, she finds the uncovered parts Pictures of the Gone World remains a key pub-of her body absent. I mean to say, Ferlinghetti lication in the history of the Beat Generation.Thewrites, that she took off her shoes / and found poems seem easy to read and accessible to all read-no feet. She is ASTOUNDED to witness her ers; yet their references to art and cultural historycorporal incompleteness [ Pobierz caÅ‚ość w formacie PDF ]
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.Jim Irsay, owner of the In- of a Fiction.Hamden, Conn.: Archon Books,dianapolis Colts, bought the original scroll manu- 1981.script of On the Road for $2.43 million, a record for Kerouac, Jack.Selected Letters 1940 1956.Edited bya literary manuscript at auction.He put the scroll Ann Charters.New York: Viking, 1995.on a 13-stop, four-year national tour.A book ver- .Windblown World: The Journals of Jack Kerouacsion of the On the Road scroll is scheduled for pub-1947 1954.Edited by Douglas Brinkley.New York:lication in 2007 to celebrate the 50th anniersary ofViking, 2004.the novel s original publication.It is believed thatMillstein, Gilbert. Books of The Times. New Yorkthe various editions of On the Road worldwide sellTimes, 5 September 1957: 27.more than 100,000 copies annually.Swartz, Omar.The View from On the Road: The Rhetori-cal Vision of Jack Kerouac.Carbondale: Southern Il-Bibliography linois University Press, 1999.Charters, Ann.Introduction.On the Road, by Jack Ker-ouac.New York: Penguin Books, 1991.Rob Johnson and Kurt HemmerPous selections were included in These Are My Riv-Pictures of the Gone Worlders: New and Selected Poems (1994).Lawrence Ferlinghetti (1955)The title of the collection is apparently basedThe first book of poems by LAWRENCE FERLING-on two key ideas.First, the poems are meant to beHETTI is Pictures of the Gone World, a plain andpictures.In that sense, the poems are like paint-slender 5'' × 6 ¼'' volume of 27 imagistic poems inings or photographs in the tradition of the imag-open forms.The poems express Ferlinghetti s viewsists, the poems are meant to convey a strong visualof love, art, time, death, great cities, nature, ani-impression.Second, the title refers to the Gonemals, memories, and literature.World, invoking the hip idiom and its sense ofThe book is the first volume produced in the gone, which can connote a positive sort of crazi-Pocket Poets Series of City Lights Books, the pub-ness but can also suggest a desperate emptiness.lication company that was established by Ferling-Among the most familiar poems in Pictureshetti and was dedicated to inexpensive editionsof the Gone World are Away above a Harborful,of artists whose experimental methods or political The World Is a Beautiful Place, and Readingdissidence makes publication through other outletsYeats. Because these poems are included in Aunlikely.Coney Island of the Mind, discussion of these poemsIn June 1952 Ferlinghetti and his friend Peteris found in the entry for A Coney Island of the Mind.Martin, the publisher of City Lights, a literaryAnother poem of special interest in Picturesmagazine, each invested $500 to open City Lightsof the Gone World is 8, also known as Sorolla sBookstore in San Francisco.The store began as aWomen in Their Picture Hats. The poem revealsmeans to provide funds for the continuation of theFerlinghetti s frequently used technique of referringmagazine but with an emphasis on inexpensive,to famous works of visual art to create a spring-avant-garde books and an evening schedule thatboard for his own imaginative flight.Ferlinghettimade the bookstore a cultural center, City LightsBookstore endured and eventually became a land- opens his poem with a reference to the womenwith large hats in Promenade on the Beach (1907),mark in San Francisco.a painting by Joaquin Sorolla.Ferlinghetti says thatIn 1955 Martin sold his interest in the storeto Ferlinghetti, making him sole director; on Au- Spanish Impressionists admired Sorolla s works,particularly the way the light played on them, butgust 10, 1955, Ferlinghetti published Pictures of theFerlinghetti doubts the realism of Sorolla s paint-Gone World.The poems have endured: the originaling, noting illusions / of love. Ferlinghetti s owntext was reprinted numerous times; a selection ofmemory of his own experience seems more realis-the poems were reprinted in A CONEY ISLAND OFtic to him as he describes the lovemaking of theTHE MIND (1958); an enlarged edition of Pictures ofthe Gone World was published in 1995; and numer- last picnickers, who exquisitely delay the culmi-256Pipe Dreams 257nation of their engagement.In recognition of the street carnival leaves her last lover lost / in thefulfillment that the picnickers finally experience, unlonely crowd and leaves the dancer s darling night s trees stand up.baby / about to say Dada. A passing priest may London, which is titled 18 in Pictures of pray / Dada and utter transcendental apolo-the Gone World, pursues the fantastic rather than gies, but Ferlinghetti insists that the day belongsthe realistic.Ferlinghetti admits that the setting to Dada because of not so accidental / analo-for the poem could be anyplace, but it is in fact gies. This poem, with its reference to death, theLondon.Street artists on a Sunday afternoon seek bereaved, and the unaffected surroundings, isa model, but when one woman volunteers and dark in its outlook, but true to life.begins to disrobe, she finds the uncovered parts Pictures of the Gone World remains a key pub-of her body absent. I mean to say, Ferlinghetti lication in the history of the Beat Generation.Thewrites, that she took off her shoes / and found poems seem easy to read and accessible to all read-no feet. She is ASTOUNDED to witness her ers; yet their references to art and cultural historycorporal incompleteness [ Pobierz caÅ‚ość w formacie PDF ]